EMPFYSCLO Installation (2025)
Katherine Kennedy
Found objects and materials, etching and aquatint, photopolymer etching, pencil and ink on paper, thread, tissue. Dimensions variable
INSTALLATION
Sold together or separately
'INSTALLATION ALL 8 PIECES' Letterpress Draw, 5 framed works and 2 Lindt Chockie tins $1800
'EPFYSCLO' - Letterpress Draw, etchings, ceramic, various found objects $780
'EMP_SIGH' - Lindt Chocolate lid, scrabble pieces, chair lining $120
'EMP_RED DETAIL' - Red chair lining $120
'EMP_PATTERN' - Photopolymer etching with chine Collé and pencil on Stonehenge paper $120
'EMP_PATTERN K' - Photopolymer etching, scrabble piece and chair lining $120
'EMP_MUSE' - Etching and aquatint, pencil, ink, scrabble instructions, found object $260
'EMP_ARTIST BOOK' - Scrabble board, twine, teabag, Photopolymer etching with Chine Colle, etching and aquatint, chair lining, string, pencil, eyeshadow $280
'EMP_SIGH 2' - Lindt Chocolate lid, chair lining $120
ABOUT THE WORK
This work belongs to Katherine Kennedy's recent exhibition 'Social Drought II: Excavating ISO' which continues Katherine's exploration of tensions between the internal and external worlds in which we reside. Specifically, this second exhibition, extending upon Social Drought in 2019, looks at the domestic landscape. The difficulties and the joy in navigating change that is suddenly thrust upon you and the positive outcomes of insecurity resulting in creative expression. 'Leaving no stone unturned', Katherine took to a tumultuous early 2020 through investigating new pastimes. Suddenly, expressive forms such as landscaping, gardening, designing lamps and finding new bushtracks to explore, became new, healthy obsessions. Thus the term 'excavation' became synonymous with both the literal and metaphysical. Potentiality became actuality as Katherine moved earth to discover natural treasures buried beneath. In this exhibition you will find tensions between light and dark, wet and dry and a childlike love of discovery. This divergent exhibition presents paintings, framed assemblages of found objects, sculptural assemblages, lamp designs, photography and installation. This varied approach to arts practice is representative of Katherine's navigation of a continued theme though through the lens of a tumultuous 2019-2020.
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